1. Are there teachable techniques involved in mixing? How difficult are they to learn?
2. Do the dangers outweigh the ventures? How much do mix artists worry about getting sued?
3. Where are these guys now? Still remixing? What work are they doing now in remixing, if any?
4. Will their art and the controversy it stirs be used to actively change copyright laws, or just critique them?
5. Can there be clear legal distinction between parody and mix?
6. Is internet the best medium/technology to use/display mix art today?
7. Is this a form of 'cyber-hedonism'? What about the risk that the technique overshadows the message?
8. Plunderphonics - political art or art made politically?
9. Does remix art have a shelf life now that remix is becoming a popular, marketable form?
10. Is it even possible to reach an audience large enough to influence due to legal status of mixing? Does reaching a mass audience make the artform too dangerous, law-wise?
Sunday, December 13, 2009
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